January 29, 2018
Review: Glen Ellyn's Jennifer Koh premieres modern takes on Paganini
By John von Rhein, Chicago Tribune
"I caught the first program and came away admiring the formidable technical prowess, probing musicality and dedication Koh brought to this unusual undertaking more than some of the pieces themselves."
January 16, 2018
Renowned Violinist To Explore Bach During Princeton Event
By Anthony Bellano, Lawrenceville Patch
"Violinist Jennifer Koh, a renowned champion of contemporary music, will explore J.S. Bach's famous "Chaconne" from the Violin Partita No.2 in D minor, BWV 1004 through the lens of new music inspired by the work in an evening titled "Bach and Beyond." It will be part of Princeton University Concerts's PUC125: Performances Up Close series, and takes place on Thursday, Feb. 8."
January 15, 2018
Beethoven brought to fresh light by Koh, Wosner at Union
New introduction and interludes cleverly frame three Opus 30 sonatas
By Joseph Dalton, Times Union
"Putting aside the contemporary for a moment, the afternoon showcased early Beethoven, much of it on the scale and style of Mozart. Koh and Wosner performed beautifully together, offering a lean sound that was often consoling and always lovely."
Vijay Iyer “Trouble”: An Observation by Claire Solomon
In his introduction to the work, Iyer writes: "Good trouble," "necessary trouble" — these are favorite phrases of U.S. Representative John Lewis, referring to the strategies and tactics of the Civil Rights movement and the ongoing struggles for equality and justice in the last six decades.
July 15, 2017
Stylistic Tangling At Tanglewood In Concerto Premiere
By Keith Powers, Classical Voice America
"The dynamic Koh owned the difficult score, shifting from one extended technique to the next and filling the spaces with furious bowings, including double-stops that created exotic overtones. Then a cadenza — it is doubtful Iyer called it that, but it was a solo excursion that preceded the coda — brought scales that demanded increasing tempo and volume, growing into a multi-voiced, Bach-like complexity. A tense and loud cadence stuck a pause right at the climax. Koh inserted a gentle phrase, and then it was done."
July 14, 2017
Time in and out of joint at Ozawa Hall
By Andrew L. Pincus, The Berkshire Eagle
"Yet to come in the program were a jump forward to a brand-new violin concerto and a lurch backward to a Mozart symphony. The last two items would have been conventional enough were it not for the passion — the compassion — behind the fresh sounds of Vijay Iyer's violin concerto, "Trouble," with Jennifer Koh as soloist...The six short movements range from striking harmonies and strange rattles to angry cries and soaring lyricism, with an extended cadenza of heightened emotion. But at the heart is a moving third-movement threnody for a Chinese-American man killed by thugs near Detroit. Koh was a powerful advocate for music that affirms continuing human values in a time of danger to those values."
July 13, 2017
At Tanglewood, a concerto for our times
By Andrew L. Pincus, The Berkshire Eagle
"Trouble" is part of a "Mixtape" project in which Koh, now 40, commissions works to explore the form of the violin concerto and how it can interact with culture and current events. But, she said, the Iyer work is an artistic rather than political statement despite the political implications. And though she regularly performs the standard repertoire as well as new works, she says she doesn't draw hard and fast distinctions between high and low culture, classical and popular.
July 5, 2017
Vijay Iyer: Taking Stock of the Ojai Festival Experience
By Steve Smith, The Log Journal
The festival commenced on Thursday, June 8, with a concert featuring two Iyer concertos performed by the International Contemporary Ensemble (ICE) and Oberlin Contemporary Music Ensemble, conducted by Steven Schick — Emergence, involving Iyer’s trio with bassist Stephan Crump and percussionist Tyshawn Sorey, and Trouble, a world premiere featuring violinist Jennifer Koh..."And then to have Jenny there instead, playing a solo concert, was incredible. That was one of my favorite moments in the festival. She set the bar so high with that set; it was like, oh, this is what we all could be aspiring to. Not that there wasn’t other kinds of excellence at hand, but she’s one of the greats."
June 16, 2017
At Classical-Leaning Ojai Fest, Iyer Builds Bridges to Jazz
By Josef Woodard, DownBeat
"Over the weekend, we heard Iyer in multiple settings. He showed his ever-deepening attributes as a composer, most notably in the impressive world premiere of his engaging Violin Concerto, “Trouble,” for style-flexible virtuoso Jennifer Koh (whose late-night solo concert “Bach And Beyond,” melding Bach, Berio and others, was a bold highlight of the weekend)."
June 14, 2017
Community and Empathy at the 2017 Ojai Music Festival
By Alexander K. Rothe, Second Inversion
"A highlight of the festival’s first evening was the spectacular world premiere of Iyer’s violin concerto for Jennifer Koh. Koh, who was interviewed later during the festival, is a warm, intelligent person, and this was reflected in her performance of Iyer’s violin concerto. The concerto—a genre that traditionally involves a hierarchical relationship between the hero-soloist and the orchestra—was instead reconceived here as a dialogue between equals. The soloist was depicted as a vulnerable figure responding to the musical material of the orchestra. For example, at one point during the concerto, the violinist sustains a single pitch while the orchestra plays the melody. When Koh performed this section, she drew her bow close to the bridge, resulting in a brittle, fragile sound—like a voice on the verge of breaking."
June 9, 2017
Review Ojai Music Festival opens with triumphant debuts — and a big scare
By George Varga, The San Diego Union-Tribune
"Thursday night’s concert featured the world premiere of “Trouble,” Iyer’s audacious violin concerto. A thrilling showcase for Jennifer Koh, who has performed other pieces by Iyer in the past, “Trouble” takes its title from the Civil Rights Movement of the 1960s. ... In Koh, who combines dazzling virtuosity and deep emotional conviction, [Iyer] had an exceptional solo voice. ... With further exposure, “Trouble” has the potential to become a showcase for violinists who share Koh’s ability, stamina and appetite for aural adventure."
June 9, 2017
Review: Vijay Iyer jazzes up the Ojai Music Festival
By Mark Swed, Los Angeles Times
"The evening began with the American premiere of “Emergence,” in which Iyer’s jazz trio interacts with a chamber ensemble. The world premiere of what you might say is Iyer’s classical violin concerto, “Trouble,” with Jennifer Koh as the dazzling soloist, followed. After intermission, Iyer joined the great West Coast trumpet player Wadada Leo Smith for an intimate, meditative set of very personal, very jazz duos."
June 6, 2017
Violinist Jennifer Koh's Shared Madness Web Series Launches
"Today, WQXR's Q2 Music premieres violinist Jennifer Koh's new online series, in which she converses with a diverse range of 30 dynamic, leading composers who contributed music to her Shared Madness project."
Shared Madness Web Series with Jennifer Koh
June 5: LA Opera's Matthew Aucoin
June 6: The National's Bryce Dessner
June 7: Chicago Symphony Orchestra's Samuel Carl Adams
June 8: Talea Ensemble's Anthony Cheung
June 9: 'Breaking the Waves' Composer Missy Mazzoli
June 12: Modern-Day Troubadour Gabriel Kahane
June 13: Multimedia Composer Zosha Di Castri
June 14: Composer-Pianist Timo Andres
June 15: Boston Symphony Orchestra's Eric Nathan
June 16: American Composers Orchestra's Derek Bermel
June 19: Invisible Cities' Christopher Cerrone
June 20: Orchestral Specialist Sean Shepherd
June 21: Composer-Vocalist Lisa Bielawa
June 22: Composer and Former MATA Director James Matheson
June 23: Pulitzer Prize-Winning Composer John Harbison
June 26: wild Up's Christopher Rountree
June 27: IRCAM Innovator Jean-Baptiste Barrière
June 28: Chicago's Augusta Read Thomas
June 29: Unsilent Night's Phil Kline
June 30: Ojai Music Festival Director Vijay Iyer
July 3: Curtis Institute's David Ludwig
July 4: Sante Fe Composer Marc Neikrug
July 5: Transatlantic Composer David Bruce
July 6: Finnish Icon Kaija Saariaho
July 7: Bedroom Community's Daníel Bjarnason
July 10: Grawemeyer Award Winner Andrew Norman
July 11: Composer & Sound Designer Mark Grey
July 12: Bang on a Can's Michael Gordon
July 13: MacArthur Fellow Julia Wolfe
July 14: Pulitzer Prize Winner David Lang
Learn more about Jennifer Koh's "Shared Madness"
May 26, 2017
Summer arts preview: Top 10 classical music picks
By Beth Wood, The San Diego Union-Tribune
"For lovers of piano-violin compositions, the performance of Beethoven’s sonatas should be heavenly....8 p.m. Aug. 15, Beethoven’s Violin Sonatas I, featuring Cho-Liang Lin and Jon Kimura Parker. 8 p.m. Aug. 16, Beethoven’s Violin Sonatas II, featuring Jennifer Koh and Shai Wosner."
February 5, 2017
Bridge to Beethoven I - Philadelphia Chamber Music Society
BBC Music Magazine, March 2017 Issue
Jennifer Koh March 21 concert with Shai Wosner is listed in the March issue of BBC Music Magazine as a top live event of the month.
February 5, 2017
Jennifer Koh and Shai Wosner shine in Valley Classical Concert (review)
By Clifton Noble Jr., MassLive
"Koh's "Bridge to Beethoven" project, pairing Beethoven's ten sonatas with works by contemporary composers, (Jorg Widmann, Andrew Norman, and Anthony Cheung join Vijay Iyer in this endeavor) is a superb idea, and deserves a lot of credit. It may succeed in enlarging the repertoire for the violin, or it may simply highlight Beethoven's enduring genius, but it ultimately draws deserved attention to art music."
November 22, 2016
Jennifer Koh will open the 2017 Ojai Music Festival
playing the world premiere of Vijay Iyer’s violin concerto with ICE on June 8
Ventura County Star
Diversity highlights 2017 Ojai Music Festival lineup
"Highlights include several works by Music Director Vijay Iyer, including the world premiere of his "Violin Concerto," written for and performed by Koh..."
November 17, 2016
Jennifer Koh will open the 2017 Ojai Music Festival
playing the world premiere of Vijay Iyer’s violin concerto with ICE on June 8.
By Mark Swed, Los Angeles Times
"Violinist Jennifer Koh (who, it was announced Thursday, will premiere a concerto by Iyer at the Ojai Music Festival in June) did something similar recently with her Bach Project."
October 15, 2016
The Memorable Duo
By Roman Markowicz, Concerto Net
"Shai Wosner and Jennifer Koh have been performing together for over a decade. They last appeared in New York City during the 2015-16 season, when they offered a four-concert project “Bridge to Beethoven”, in which all of the Sonatas for Piano and Violin were presented in the context of contemporary work especially commissioned for that occasion..."
July 29, 2016
Building bridges: Violinist Jennifer Koh
By James M. Keller, Santa Fe New Mexican
"Two words kept coming up during a recent phone conversation with the violinist Jennifer Koh: “bridge” and “community.” That inclusive phrasing was surprising since the topic was the pair of recitals she performs at the Santa Fe Chamber Music Festival on Friday, July 29, and Saturday, July 30, both of which are solitary affairs, made up entirely of works for unaccompanied violin."
June 6, 2016
Jennifer Koh Eloquently Tames 32 Musical Beasts
By Daniel Stephen Johnson, Musical America
"One of the New York Philharmonic Biennial's most alluring facets, as the event heads into its second summer, has been the presentation of satellite concerts curated by well-chosen new-music proponents and presenters at venues around the city. This has the effect of shining the orchestra's high-profile spotlight on a genre that doesn't often get one. Among the beneficiaries was a program entitled Shared Madness, in which Jennifer Koh unveiled a series of 32 new miniatures for unaccompanied violin over two consecutive Tuesdays at National Sawdust in Williamsburg."
June 1, 2016
Review: Jennifer Koh Asks 32 Musicians to Respond to Paganini
By Corinna da Fonseca-Wollheim, The New York Times
"...given the opportunity to channel their inner virtuoso, many composers seemed to say, rather, 'I don't play that way'"
May 24 and 31, 2016 at 7 PM EDT
Shared Madness Live Stream
For those of you unable to attend Jennifer's two concerts at the National Sawdust tomorrow (5/24) and next Tuesday (5/31) featuring arco collaborative's Shared Madness project, there is an alternative way to join in the adventure. WQXR's Q2 Music will stream both recitals live via the Interrnet.
Click here for the May 24 stream, and here for the May 31 stream.
May 24, 2016
At New York Phil Biennial, a Thoroughly Modern Mix
The blitz of modern and contemporary music is also a swan song for director Alan Gilbert
Jennifer Smith, The Wall Street Journal
"As a musician, it's strange to me to only want to hear something that is written 100 years ago," said Ms. Koh... "Do I love Shakespeare? Yes, but I also want to see contemporary plays and read new fiction."
May 15, 2016
See Jack Quartet and Jennifer Koh
Justin Davidson, New York Magazine
At the New York Phil Biennial.
92nd St. Y, May 23 (Jack); National Sawdust, May 24 and 31 (Koh).
"Two years ago, the New York Philharmonic inaugurated its citywide new-music biennial, now in its second edition. The versatile Jack Quartet kicks things off, performing music by composers you almost certainly haven't formed an opinion about yet. Later in the week, there's superstar violinist Jennifer Koh. She spends a lot of time performing big concertos with big orchestras, but she's also a master of the brilliant miniature, and for the biennial, she collected more than 30 new brief pieces for solo violin by the likes of Julia Wolfe, Missy Mazzoli, and Timo Andres. The recital should feel like listening to a chain of tiny diamonds."
March 28, 2016
Review: Jennifer Koh and Shai Wosner play in the transforming spirit of Beethoven
Mark Swed, Los Angeles Times
"Koh... maintained an exceptional even keel, her tone pure, not muddied by excessive vibrato. She phrased with elegance. Wosner proved an equally understated and elegant partner. Slow movements were exquisite."
March 22, 2016
Review: Anthony Cheung’s ‘Elective Memory,’ a Response to Beethoven
Anthony Tommasini, The New York Times
"Ms. Koh and Mr. Wosner played the piece beautifully, though it might have been more helpful to hear it after the sonata that inspired it, which was given an eloquent performance here. The scintillating account of the feisty Beethoven sonata that opened the program was also especially enjoyable."
February 14, 2016
Laguna Beach Music Festival peaks with Jennifer Koh and Shai Wosner
Orange County Register
"Violinist Jennifer Koh and pianist Shai Wosner were the co-artistic directors. Both have made contemporary music an integral part of their careers, and together they have been working on a Bridge to Beethoven project (Sunday’s concert was to feature its latest product), which pairs newly commissioned works with the Beethoven violin sonatas. Making connections is important to these musicians."
January 28, 2016
Jennifer Koh Talks ‘Bridge to Beethoven’ Inspiration?
Shane Jordan, Classicallite.com
"I wanted to create a project that explores diversity in a compelling way, where people can engage with different cultural voices in a musical conversation."
November 17, 2015
Violinist Jennifer Koh engages Beethoven via modern music
David Weininger, Boston Globe
"The fruit of that inquiry is “Bridge to Beethoven,” a series of concerts mixing Beethoven’s violin sonatas with newly commissioned works by composers from a variety of ethnic backgrounds."
November 16, 2015
‘Bridge to Beethoven’ Review: Where Old Meets New
Barbara Jepson, The Wall Street Journal
"Like the “Kreutzer,” Mr. Iyer’s piece begins slowly, then increases in tempo. About 17 minutes long in this performance, it opens with Mr. Wosner producing thumps with the piano’s sustaining pedal and other percussive effects while Ms. Koh plays wispy harmonics in the violin stratosphere. Written in a loosely atonal idiom, “Fantasy” veers from sparse repeated tones and lyric shards to propulsive rhythms. After a middle section that gives the performers some improvisational freedom, the engaging finale builds fitfully to a manic, whirling-dervish ending, matching the intensity, if not the inspiration, of the “Kreutzer” Sonata’s weighty first movement. Ms. Koh’s command of the various bowing techniques required was breathtaking."
November 5, 2015
Koh and Wosner Unveil a Beethoven Journey, San Francisco Chronicle
Joshua Kosman, San Francisco Chronicle
"Musical works never exist in a historical vacuum — they interact closely with everything that’s come before and after — but performing artists don’t always draw the connections carefully enough. Among those who do are the violinist Jennifer Koh and pianist Shai Wosner, whose promising new commissioning project, Bridge to Beethoven, had its first local airing on Wednesday night, in an inspired Herbst Theatre recital presented by San Francisco Performances."
November 5, 2015
Review: Koh, Wosner build a 'Bridge to Beethoven' at the Herbst in San Francisco
Georgia Rowe, San Jose Mercury News
"Koh, who made her San Francisco Performances debut in 2003, is simply remarkable--an artist who combines a questing spirit with tonal refinement and a kind of fearless virtuosity. Anyone who witnessed her extended violin solo in Philip Glass' 'Einstein on the Beach' at Cal Performances a few years back can attest to her brilliance. Yet Wosner, making his first San Francisco Performances appearance on this program, was every bit her match. Together, these two musicians traversed the evening's works with superb style and insight."
November 3, 2015
Jennifer Koh on Building a 'Bridge to Beethoven'
Lou Fancher, San Francisco Classical Voice
A preview article and interview with Jenny on Bridge to Beethoven
"So it’s bound to be a distinct pleasure to launch into what will ultimately be four performances spanning San Francisco Performances’ 2015-16 season. The performances, a four-part project titled “Bridge to Beethoven,” pair Beethoven’s 10 sonatas for violin and piano with new works from four contemporary composers. Koh will be joined by longtime collaborator, pianist Shai Wosner."
October 29, 2015
Review: For Beethoven’s ‘Kreutzer,’ a Chance to Compare and Contrast
Zachary Woolfe, The New York Times
"The Y program was the first in Ms. Koh and Mr. Wosner’s Bridge to Beethoven series, pairing new works with the 10 Beethoven violin sonatas. Monday also brought the gentle Sonata No. 1 in D and Vijay Iyer’s “Bridgetower Fantasy,” a reference to George Bridgetower, the charismatic violinist for whom Beethoven wrote the “Kreutzer.”"
October 5, 2015
Violinist Jennifer Koh’s Innovative Projects Connect Masterworks of the Past with the Present
Jeff Kaliss, Strings Magazine
"“Bridge to Beethoven” is one of the latest of Koh’s high-energy endeavors, in which she shares questions and answers with her colleagues and growing fan base. For the Beethoven project, she recruited a “plethora of diverse voices,” including Chinese-American composer Anthony Cheung, Indian-American Vijay Iyer, and Jörg Widmann, a German composer whose commissioned Sommersonate has been paired in performance with Beethoven’s “Spring” sonata."
July 20, 2015
Violinist Jennifer Koh & Pianist Shai Wosner Collaborate on 'Bridge to Beethoven'
"Violinist Jennifer Koh and pianist Shai Wosner have come together to combine their personal and musical experiences in a collaborative project titled Bridge to Beethoven that explores the impact and significance Beethoven has had on a culturally diverse group of composers and musicians. The recital series pairs Beethoven's Complete Violin Sonatas with works by composers of different ethnic lineage in four distinct programs featuring three works commissioned for the series by Vijay Iyer, Andrew Norman, and Anthony Cheung which serve as companion pieces to select sonatas, and Jörg Widmann's Sommersonate."
April 28, 2015
Jennifer Koh and Pianist Shai Wosner at Hahn Hall
Joseph Miller, The Independent
"the collaboration was nothing short of brilliant"
Jennifer Koh, The Art of Collaboration and Creativity
"Violinist Jennifer Koh is all about the now — not only full immersion in the performance at hand but a career that has employed a number of today’s prominent composers. Besides her gifts as a dazzling violinist and convincing interpreter of the canon, Koh is a meticulous programmer who devises multiyear projects, honoring great composition cycles by cementing them with new works spawned by the originals."